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bblackboxx – Art as Emancipatory Practice Against Border Politics

Talk by Almut Rembges, with discussion

Location: Café “Pablo”, Bul. 8 Septemvri, br.8, vl. 2, lokal 6, Skopje
Opening: 05. 11. 2013, Tuesday / 19:00 h.

“bblackboxx is an independent art space at the border of Switzerland, in the neighborhood of a detention complex, where 300 asylumseekers are kept and sometimes deported. Since 2007, a network of artists and theoreticians around bblackboxx have developed an curriculum of art actions and theoretical work, which stands up against the increasing xenophobic and suppressive migrations politics in the country.”

The initiator Almut Rembges will talk about the specific emancipatory practices of bblackboxx, as a counter model against a context which is otherwise defined by control and charity.  Continue reading

„ТЕКСТ КОЈ НЕ Е ТЕКСТ“, Владимир Јанчевски

ОПА (Опсесивно Посесивна Агресија)

„ПРОЕКТ КОЈ НЕ Е ПРОЕКТ“

 

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KOOPERACIJA participates in BALKAN(S) NOW

BALKAN(S) NOW, Status seminar and artistic survey

Venue: Mestna Galerija

Ljubljana, Sovenia, 25-26 October 2013

From the seminar’s announcement:

“BALKAN (S) NOW curated by Gülsen Bal and Marlene Rigler  in cooperation with Open Systems (Vienna), Mestna galerija (Ljubljana) and Remont (Belgrade) aims to actively engage with the current artistic practice in the former Yugoslavia because we believe that a much-needed political artistic practice is being shaped in countries such as Serbia, Macedonia, the Kosovo or Slovenia: a practice that relies on self-empowerment, strong networking across the region and a pro-European, yet critical attitude.Therefore, looking at the artistic landscape anywhere south of the Austrian border, one discovers a vivid, particularly interconnected art scene.”

KAPITAL-kooperacija-002

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PROJECT WHICH IS NOT A PROJECT / OPA

Video screening and promotion of a book
Location: University of Tourism and Management in Skopje 
(Blvd "Partizanski odredi" No.99) 
Opening: 22.10.2013 (Tuesday), 20:30 (a one-day event)

 

OPA (Obsessive Possessive Aggression)

OPA was founded in 2001 by the visual artists Slobodanka Stevceska (*1971, Skopje, Macedonia) and Denis Saraginovski (*1971, Skopje, Macedonia). Both of them studied at the Faculty of Fine Arts in Skopje and are working on the borderline of art, media and performance.

OPA has had solo exhibitions in Macedonia, Estonia, Croatia, Slovenia, France, Germany, USA and the Netherlands and has exhibited widely in group exhibitions and festivals such as Transmediale, Berlin; Rencontres Internationales Paris/Berlin; Biennale of Contemporary Art, Moscow; Transeuropa – European Theatre- and Performance Festival, Hildesheim; Freewaves’ Biennial of New Media Arts, Los Angeles; I Had a Dream, Kunstraum Baden, Switzerland; Victory Obsessed, Zamek Culture Centre, Poznan; etc. OPA received residency fellowships in Estonia, France, Germany and Switzerland.  Continue reading

Арена на отпорот, текст на Искра Гешоска

“Културата, значи, не е црешна која се наоѓа на врвот од колачето на историјата: таа секогаш одновно е место на конфликт каде што историјата добива форма и видливост во самото срце на одлуките и постапките, колку и тие да се варварски или примитивни.” GEORGES DIDI-HUBERMAN

Збор – два за читањето на културата

Доколку сакаме да проговориме за форматите на отпорот, за спротиставувањето во однос на експлицитните и имплицитните модели на корумпираната моќ која владее и го монополизира  просторот на културата, созадавјќи лажна, фасадна култура, култура на кулиси зад кои има испразност и покорност (а културата и уметничкото творештво имаат обврска да бидат непокорни), тогаш треба да проговориме за вонинституционалните, независни облици на дејствување во социо-културниот простор. Уште Антони Грамши говореше за тоа дека културата треба да се сфати како „арена на отпор, спротиставување и преговарање“.

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UTOPIAS / DYSTOPIAS: DOCUMENTS 20.04.2013

Tihomir

Tihomir JANCHOVSKI

Noli Turbare monumentum meum!

Public performance

Location: Skopje, city center

16.4.2013

The artist mimetically identifies with the sculpture of Philip II, holding a scroll of his own essays, which are a parody of Skopje 2014. The texts, which have previously been published on social networks, spurred controversial reactions by the public media who mistook them as pro-government support.  Continue reading

UTOPIAS / DYSTOPIAS: DOCUMENTS

Location: ARHITEKTRI, Franklin Roosevelt 68 1/2, Skopje
Opening: 20. 04. 2013 (Saturday), 20.00 hrs
(the exhibition will be open only that evening until 22.00 hrs)

Mirna Arsovska, Ivana Dragsic, Aleksandar Spasoski, Oliver Musovik, Igor Toshevski, Harald Schenker, Ines Efremova, Slavica Toshevska, Dijana Bogdanovska, Tihomir Jancovski, Vladimir Nedelkovski, Gjorgje Jovanovik, Jana Jakimovska, Nikola Uzunovski, Filip Jovanovski, Danilo Mandic, Vladimir Jancevski, Mile Nicevski, Daniel Gontz (Romania), Sinisha Labrovic (Croatia)

 

“Utopias/Dystopias: Documents” tends to address the question of society’s idealised mega-projections of the future as well as the success/ failure of such constructs. It does so by means of tangible artistic interventions in public space where diverse interests, tendencies and interpretations form a social reality. At the same time, it is an attempt to pose new questions and perhaps offer fresh interpretations and definitions of public space, its potential and function in the wider social context.  Continue reading

Уметност во политички и културен мрак >>> DW

(објавено на www.dw.de на 29.03.2013)

Во исполитизираниот, поделен и полн со конфронтации македонски контекст, уметниците се обидуваат да изнајдат нови уметнички простори и форми за своите ставови кон клучните општествени случувања.  Continue reading

ART AND/OR POLITICS: DOUBLE CODING AS CHALLENGE OR PARADOX?

Kooperacija-Debata-01

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